We’ve made about 20 prototype boxes now and have learned a great deal from each one. We wanted to highlight one particular box we made a couple of months ago where we experimented with a smaller form and what making it has taught us.
The design of the box or ‘skull’ (the plywood/acrylic case that contains the tech) as we refer to it is dictated by two things: the form factor of the Raspberry Pi in question and all the features we feel necessary for the product to have.
Early on we were creating boxes with the Pi 2 which required a dongle to connect the box to the internet but several months ago we switched to the Pi 3 which features built-in WiFi saving space within the skull. Raspberry Pi also make the ‘Zero’ which is about half the size of the Pi 3, we liked the idea of a small box which would be more transportable and also not require mains power connection so we designed a smaller square brain inspired by the recorder box we made back in October.
Our prototype recording box which inspired the square brain design
I (Charlie) got to work with the layout of the hardware inside the box trying out a new method of speaker mount while Adrian worked his tech wizardry to figure out what hardware to adapt and then got cutting! The square brain featured several changes from the regular rectangle namely:
a power on/off button
push button volume control
No LED progress bar
an internal battery charged via a Pi charger board and micro USB cable
A single speaker mounted to one side
We tested the box at Nottingham’s Explorers Fair (we’ll share a post on that soon) where we had it set up alongside the standard rectangular box. Seeing the two side-by-side it was clear the rectangle with its larger surface area provided more of a platform for the children to place multiple objects on top of however the square allowed them to pick the box up and put it to their ear or sit down on the the floor with it.
Getting hands on with the square design at Nottingham’s Explorers Fair
Despite working well and having great mobility the square box also had some obvious limitations:
the Pi Zero only allowed us one speaker, so the sound wasn’t as good
the clicky volume buttons weren’t as effective or efficient as a dial
the lack of our physical progress bar didn’t help people understand they had to wait a bit
larger objects might not balance well on the smaller top
The square design with its illuminated power button and push button volume controls
We do love the smaller form factor but when you put the two designs side-by-side the larger rectangular box has a greater presence, not to mention more room for fiddly cables and components. It was a great thing to prototype and has since influenced alterations for our bigger boxes. This won’t be the last you see of square boxes however, I’ve had some fun recently prototyping a bigger ‘Design-for-Disassembly box, but all that is for another day.
A little while back, Alex Bate from the Raspberry Pi Foundation discovered us through The Planets box Tom made over a weekend to experiment with a new object form factor, and public domain content, Holst’s The Planets.
It was lovely to get a note from Alex wanting to find out more, and even better to host her at our office to meet and talk about everything, and write an article for MagPi, the magazine published by the Foundation.
But, what was absolutely the best and a thrill for this little crew, was to walk across the street to the local newsagent and buy as many copies of MagPi #54, and turn to the amazing four-page spread Alex wrote about us!!
The paradigm that Museum in a Box uses to connect objects to related content is simple:
Take a Thing.
Put that Thing on a Brain.
Receive lovely and interesting Content.
You can think of Things in the above scenario as ‘keys’ that unlock the context to the object you’re looking at. Sometimes the Thing is a 3D print of a scanned artefact, sometimes it’s a picture postcard and sometimes it’s fun to leave things a bit ambiguous – what is the Thing you’re holding? How does it relate to the Content you’re listening to?
This is what we explored a bit with Prototype No.13, which you can watch a demo of in the above video.
For this Box, we used some public domain audio from The Internet Archive as the Content and decided to try out a form factor for the Things that reflected what you would be listening to but still leaves a lot to the imagination…
So in case you’ve not guessed yet, we used the Planets Suite by Gustav Holst for this Box, hence our spherical Content keys/triggers. We sourced some half-spheres of birchwood from eBay, as this seemed like the easiest way to get an RFID tag inside a globe shape. Polystyrene may have been cheaper but we like the look and feel of the plain wood. We slapped an RFID sticker on one half and used wood glue to join this to its counterpart.
Making this prototype was also a good exercise in testing the limits of our tech. It turns out that smaller RFID tags have (maybe unsurprisingly) a shorter pickup range when offered up to the RFID reader we’re currently using. In a quick test, the small tag would not trigger the audio when housed in our 32mm diameter balls (so their range is less than 17mm). Fortunately, upgrading to 25mm tags extended the range of our wee planets to about 2 or 3cm. We also found out that tags only register on the reader if offered in a near parallel orientation (as in the GIF above).
We re-purposed a gift box to house our Raspberry Pi, tag reader, battery, audio speaker & cables and made a simple insert with holes to hold the planets in a nice formation and another to suspend them over the RFID reader. (Extra special thanks to my partner and her mum for helping with this!)
All in all creating this Box only took about half a day and we’re very pleased with the results 🙂